Hospital impressions part 2

The drawing process yesterday felt like we were becoming to know pieces more intimately – we were supposed to change pieces for every drawing

I stayed with the same piece for three exercises

In the afternoon there was a panel discussion about the assemblage – here are the notes I made – my thinking is in first person

Negative spaces

Feeling the shapes awareness of if my hand fitted – some smaller a lot fitted – left handed just put them in my right hand

My hand fitted holding their hand

Rachel Whiteman house turner prize

How will my drawings be used as part of the research process ?

Another part of the projects were sheets of paper attached to the walls which were typed up with info about the people who made the impressions- what they wrote when they held and squeezed the wet clay

The impressions

Interaction with clay finger prints – how it fit in the persons hand / mood / pressure

Different types fist around porcelain – look like bones

Artifacts /teddy/ rose

Assemblage defy classification

Individual engagement

Collection components

Process

Arrangement – straight lines of white shapes on black

Become part of a larger group

Words help the interpretation of interaction

my oil pastel and Conte crayon drawing

Potter / ceramicist

Shrinkage of clay in firing

found data set weird

Finger prints fade in firing

Porcelains moves in the kiln

Before fire/ after firing

Captured moments

Transition of time

Process

Journey

600 pieces want to make 1,000

Images made in the morning – beginning of

What happens next

Medical background

Out patients – huge variety of people very different – people coming into the hospital wanted to know what was going on – people willing – nice thing to do – hospital staff deal with patients – totally different – broke monotony – what next ? Part of a hospital move – shapes going into the new building part of the old building moving forward

Tactile

Filling out forms a few moments only writing

Connection to people who one works with – may not be relevant in 2yrs/ 10 yrs time

Guess work – how did people feel just by looking

Unsaid stuff

What don’t we know?

People behind the impressions

Array of white objects

Sameness and difference

Unique and the same

Irregular / regular

Humour random

Assemblage

My number

Numbers imprinted on each shape

Holocaust

Sense of loss / scale

Fragile and solid

Here’s me in the moment

Encounters

Impression there for others

Leaving Traces of bodies stories people

Evoke

More questions and answers

Qualitative research

Hugging ceramics

Grasp

Do objects require any more narratives

Stands alone objects ?

What can one read from it ?

Data protection number / ties in to paper

Life / death

Bones

Numbers – numberless dead

Evoke – numbers become irrelevant

Always slippage

Ceramicist slippage

Transitional states

Disconnection between the objects

Personal

The personal

Who do they belong to?

Drawing – looking at shape form texture weight – abstracted from what they are

Removed from the human element looking at porcelaine its self how it was altered into shapes – ones that One liked or didn’t like

Saw hills mountains – fir cones landscape

Others saw Sea weed shells corals drawings made the impressions seem more real different interpretations

Experience of loss

Material change materiality – first time children touched clay – youngest one is 3 days old

Loss of the hand

What is there ? what is not there ?

May be active assemblages

What is this doing ?

Enabled passing of time

Haunting

Engagement

Different perspectives of people and the experience of the panel discussion

Still a folding

Still becoming

Inbetween

Inbetween intimacy and institution

Influx

Impact on a patient

Impression that patients leave on staff

Holding hands when some one passes away

Inbetween life and death human kind – universal

Edinburgh centric – conversation between

One building and another

Art versus illness

A Hurts + Heals project, as part of NHS Lothian’s Art & Therapeutic Design Programme.

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