Montjaux and line drawings

I am back down in France for a couple of weeks. I brought all my quilting kit with me. However I felt like drawing instead. I am still drying out teabags .

We have had the house in the family for 30 years. So I blog and post pictures regularly,

This year I wanted a new way of representing the house. I decided to have a go at doing some line drawings – in the style of blind contours. There are too many rectangles to do it properly. I thought I would set my self the task of one a day….

Day one: Kitchen Window

I love the this window. There is usually some basil in a pot. This year someone has stuck in a piece of dried honesty, it looks fab against the light.

Day two – I decided to draw the window in the main room- there is a great view of the hills through the balcony.

It was very hard to do my feet 😂😂😂

When my Mum was alive she used to make Jam and pickle. This morning when I got up and checked in the fridge There was lots of fruit that needed to be used up – it’s hard to keep on top of it during the hot summers here.

So I made a mixed fruit jam. It wouldn’t get to setting point so I decided to draw the back door as I waited – which is old and hasn’t been replaced by us

It opens up on to a small ally way and isn’t used very often – it’s a storage place for brooms and mops

The symbol of the region where we live is a Cardabelle – a flat circular thistle. Mum was given one as a present years ago. This afternoon it was too hot to go out so I decided it had to been done. I made several to get my hand and eye in and added water colour.

The thistles are very rare. They used to be dried out and nailed to lots of doors in the village but you don’t see them as much because they are protected. They are about 40cm in diameter and very prickly.

Experimenting with different thread/ teabag quilt

I have had a sewing box for ever. This is the first time I can remember running out of white thread.

I had a go at embroidering a mandala with the same thread that I used for my most recent quilt ( see my last post). I sewed using cheap white thread that I had had for years. I was disappointed with the results. So I overworked the stitches and added some thicker cotton/ wool

I saw some multicoloured thread on a friend’s Instagram feed and thought it would be fun on teabags. I went on a shopping trip and found some fab colour ways made by Guttermann.

I also bought a heavy duty white thread and a large multi use 100% polyester white. The multicoloured reals are 100% cotton.

I love the results

I think the orange will be great as the cotton to sew the tea bags on to my substrate. The darker/ rainbow mix shows up the best. However I like combination of the three colours.

The stronger thread shows up against the tea bags very well

I decided to make my – mandala into a sample piece. I added the paper fabric as an edging

I am getting better at making my work more regular (😂😂😂)

New teabag quilt

I decided to try a new method of sewing with teabags. I used running stitch to attach 56 teabags to a pillow case protector that I picked up second hand. It is a nice weight of fabric with a bit of padding.

My adopted Granny was from County Durham. When I was younger I remember we had a quilt that she made- that looked a bit like this

I don’t remember Grannies being as complicated as those above but I remember loving it- how it felt and the patterns. I wanted it to be mine. ( picture from Pinterest )

I am quite pleased with how my design is developing- I wanted to stick with working in circles – following on from my mandalas ( the next one will have a more Durham themed pattern)

The fabric and padding that I am using isn’t quite thick enough to get the Durham effect. Though I like the feel of my piece, and the contrast of the white thread on the tea colour.

I decided to add some straight lines to join the pattern together – it feels more coherent. I need to photograph it in daylight

The spaces between my lines need to be more consistent- though I like the fact that it still looks like teabags. Some of my other work lost the individual bag feel.

When I was working I tried 3 ways of sewing the bags edges- I pinned the teabags next to each other- but they moved sometimes during the process. Depending how quickly they dried out – made some of the edges crisp and fragile

Crispy joints

Hidden joints

Darned

I think I like them left as they are – with the white fabric showing as contrast. I am going to finish the back stitching- edge the piece and may be back it. I will add a finished pictures

I backed my quilt with a favourite old pillow case and edged it with colour run absorbent sheets that go in the washing machine.

Art making as enquiry

Jon has been writing a book for the last four years. It has finally been sent off to the publishers . During the last few weeks he has been reading sections to me, I have read bits and become immersed in the words.

He has written about ‘writing as inquiry’ ( Richardson1997 ) before and I reminded that I could substitute ‘art making’ or just ‘making’ for ‘writing’.

It’s how I think through my process. My art making could be an seen as an inquiry.

Recently I have been sewing into my mandalas this seems to form its self into definite, purposeful shapes, engendering in me a sense of solidity (Wyatt 2019, forthcoming).

Collaborative piece – my sewing into Jon’s writing

And there is a pulsing between the lines ( ibid)

The sewing, drawing, printing, making, seems to be an assemblage of times of day, space, bodies, objects, movement and more (ibid).

Another collaborative piece – we are working on ideas for the cover of his book

The pieces hold an imprint of that time of making, held within the layers of work- almost suspended -captured by the movement of my hands, my body, my inquiry.

References

Richardson Laurel, Fields of play (Constructing an Academic Life) 1997

Jon’s book will be – Wyatt Jonathan,’ Therapy, Stand-up, and the Gesture of Writing: Towards Creative-Relational Inquiry’ 2019

Living by and working with ideas around water

During my life I have lived by water. I am fascinated by how the light plays on the surface, the movement and the patterns that are created.

I grew up near the Thames at Wallingford and as a child we used to visit Abingdon where I ended up living for 25 yrs. During uni a I was in London and up in the North East at Newcastle upon Tyne. I suppose living on a small island you are never very far away from water…

Now in Edinburgh there is the water of Leith that winds its way through the city. I travel over the the Forth of Firth regularly for work and visit the North Sea at North Berwick.

Recently in Bristol I was interested to see that architects had incorporated elements of water into a foot bridge in the quay area and some railings on Temple St.

My latest ripping/ hand sewing into a mandala/ blue abstract on paper is reminding me of water this morning

I wrote into it today about mandalas, their cultural significance, how to draw them and their meditative values with Hindu and Buddhism.

I started weaving in some text from yesterday’s writing about art making

And watery concepts popped into my head. I have been making lots of layers using digital imagery this month so I needed to attack this in the Image Blender app

I attached the piece to another mandala which peeps through the gaps – I’m not sure about the text and patterned strips they might come out.

more Image Blender stripes

Sewing paper mandalas

I have always sewn things. I can remember living with my biological Dad before my parents divorced. I used to go and knock on my parents bedroom door and ask for a needle to be threaded before they were up. My parents divorced when I was 5yrs old. About that time my mum made me my own sewing basket. It’s only recently I can’t find my felt pin cushion that she made.

So I have always liked sewing. Sometimes I forget. Making tea bag quilts reminded me. I am saving tea bags to make a bigger quilt and my hands get bored of drawing mandalas so I decided to sew through one on paper.

I worked on the back- the stitches didn’t photograph well – so I dipped the paper in a tea vat that was lying around

Sitting in front of the TV I sewed some more – this time I crumpled up the paper until it felt more like fabric – it was easier to sew circles at the at the beginning in the middle of the paper.

After sewing on the teabags these seemed a bit dull – I enjoyed the sewing but the end product wasn’t doing anything for me.

I decided to see what would happen if I tore it.

The thread did fab things and the paper was so soft …..

I decided to play with the other piece too – I had sewn the second mandala with black thread.

I like the way the ripping and the thread disrupt the drawn lines of the mandala and the way you can see through it.

I attached the blue piece to another mandala. I went to bed thinking about the words I could weave through it.

This is what I wrote this morning. I was thinking it would be more poetic about being stuck drawing mandalas ( lol)

‘Sitting still art making my back seizes up drawing mandalas my safety net protecting my stomach from stress watching the tv Round and round in ever increasing circles trapped in the patterns sewing and drawing until my hands ache trapped in my endeavour my art evolves through making experimenting – what happens if I do this how does that material react if I do this which ink is water soluble try fountain pens they are better for the environment what happens if I crush that paper, sew with black rather white stamp that paint through a new stencil

sew that tea bag on to this fabric carve that stamp change that pattern dip that paper use that floor wipe that colour run panel use that as a substrate collect that bumpf stitch that teabag read that book go to that conference hear that seminar write some words drink that cider think about that concept’

Has

I’ve got a thing about derricks

Wandering around Bristol wharf today I realised I have a thing about derricks.

I like the size, the fact that they move, the solid tapered shape

The mechanical nature- that we made them? It’s making me smile – how can I have a thing about a wharf side crane?

I like their reflections, that you can walk around them – underneath them – though the view isn’t much when you look up at the wooden cab. I was hoping to get a look up through the arm…….

I like them from all angles.

May be it’s because I like the knowledge that they refer to a time past for Bristol? They remind me of the Firth of Forth Bridge which I love travelling through on the train – that’s Victorian engineering (1882)

Derelict derricks – these were built in 1951 and still work. There is an older one somewhere that has been restored. It was built in 1878. I will have to back and have a look.

There’s something that reminds me of the Star Wars ‘All Terrain Armored Transport’ as if they are left behind by some science fiction film ………. still smiling

I also like the size of the various metal knobs that are on the quayside near their bases and the metal tracks

The tips of my toes left in for scale ….. yup still amused at my self that I am writing a blog post about derricks 😊

I’ve also got a thing about manhole covers, bridges, stairwells and scaffolding ……….