Attempting big stitch quilting with tea bags

I always need to try something new or develop what I am doing. I found a series of tutorials for big stitch quilting by Jo Glover. She explains what to do and what equipment to use. I adapted her ideas using a teabag top layer ironed onto interfacing. I decided to go back to 3×3 bag samplers. I basted the teabags to the layers of wadding and back piece. I won’t do that again because the tea bags don’t stay secure enough at the edges

Jo recommended buying a water soluble crayon and crotchet cotton and sewing with a number 7 needle.

Big stitching quilts use similar motifs to Durham quilts as far as I can see in my research. I found it tricky to draw a feather motif free hand so I used the above hearts – it ended up looking a bit like a Christmas cactus 😂. With the Big stitching method you are only supposed to use running stitch. I have left the top half of this piece just running and filled in the outline on the bottom section. I think this works better against the lines that Jo suggested using on the back ground. The blue lines are the chalk pen, which is lovely to draw with. The make I used was Aqua Trickmarker.

I had a go at a second piece drawing a feather wreath design……..

Again I had to go back and stitch the outline. I think I am working too small for this technique – though I like the background texture. I decided these two quilts didn’t work on their own as standalone pieces so I added text

I seemed to have lots of text floating around from this and my ‘Tea and home’ project so I decided to have a go at just doing the back ground pattern from Jo’s tutorials

I think this is one of my favourites – I do like a bit of text lol.

Links to Jo’s videos on YouTube – they are all very short

Art journalling and tea bag quilts

I have been enjoying experimenting with my teabag quilts. However, I fancied doing something a bit different. I made a collaborative quilt with Fran Halperin – she added text and pattern to my design and then I stitched a circle over it in white. I was really pleased with how it worked out.

I decided to have a go at using a quilt as the base for an art journal page. I do these usually on paper and build up lots of layers using mandalas/ printing and adding text.

On holiday in France a made a tea bag quilt that wasn’t doing anything for me, so I used that as a base

And I made a simple 3×3 teabag base.

I am afraid I forgot to take a few photos – blame it on the fact that I was away for two weeks and got over excited on the making front

I started by making a background using pen and paint stencilled through a couple of mandala stencils. I glued the lettering in place with Matt medium. Then added my white back stitched circles

I didn’t like the text it seemed too simple – so I added more – just stitching on top this time. I added a pale orange set of circles in between the white and drew on top of it with pen and gelatoes.

This morning when I got up it seemed too simple . So I attached the lettering

I attacked the other quilt which went through a similar process too

Details of the quilts – I chose the text flipping though a Psychologies magazine with soft eyes and picking out words that jumped out at me

Paper bag quilt

I wanted to do a quilt that represented where I am situated on holiday – rather than a teabag quilt. We bought some veg in a pretty bag with French words on.

I took the bag apart and cut out the decorated panel. I ironed some iron on facing on the back and used a paper towel for added strength.

I started embroidering my back stitch circles. I asked Dad if he had any old envelopes with postmarks or stamps on. He didn’t have any but he gave me a French stamp and an airmail sticker.

I decided to leave them just with running stitch around the edge

After yesterday’s cardabelle drawing I was delighted to find one on a bag Jon bought a croissant in from a bakers

I worked all over the bag in circles and straight lines – I thought I might add other pieces on top as I find them over the next week.

I like the back almost as much

Art making as enquiry

Jon has been writing a book for the last four years. It has finally been sent off to the publishers . During the last few weeks he has been reading sections to me, I have read bits and become immersed in the words.

He has written about ‘writing as inquiry’ ( Richardson1997 ) before and I reminded that I could substitute ‘art making’ or just ‘making’ for ‘writing’.

It’s how I think through my process. My art making could be an seen as an inquiry.

Recently I have been sewing into my mandalas this seems to form its self into definite, purposeful shapes, engendering in me a sense of solidity (Wyatt 2019, forthcoming).

Collaborative piece – my sewing into Jon’s writing

And there is a pulsing between the lines ( ibid)

The sewing, drawing, printing, making, seems to be an assemblage of times of day, space, bodies, objects, movement and more (ibid).

Another collaborative piece – we are working on ideas for the cover of his book

The pieces hold an imprint of that time of making, held within the layers of work- almost suspended -captured by the movement of my hands, my body, my inquiry.

References

Richardson Laurel, Fields of play (Constructing an Academic Life) 1997

Jon’s book will be – Wyatt Jonathan,’ Therapy, Stand-up, and the Gesture of Writing: Towards Creative-Relational Inquiry’ 2019

Living by and working with ideas around water

During my life I have lived by water. I am fascinated by how the light plays on the surface, the movement and the patterns that are created.

I grew up near the Thames at Wallingford and as a child we used to visit Abingdon where I ended up living for 25 yrs. During uni a I was in London and up in the North East at Newcastle upon Tyne. I suppose living on a small island you are never very far away from water…

Now in Edinburgh there is the water of Leith that winds its way through the city. I travel over the the Forth of Firth regularly for work and visit the North Sea at North Berwick.

Recently in Bristol I was interested to see that architects had incorporated elements of water into a foot bridge in the quay area and some railings on Temple St.

My latest ripping/ hand sewing into a mandala/ blue abstract on paper is reminding me of water this morning

I wrote into it today about mandalas, their cultural significance, how to draw them and their meditative values with Hindu and Buddhism.

I started weaving in some text from yesterday’s writing about art making

And watery concepts popped into my head. I have been making lots of layers using digital imagery this month so I needed to attack this in the Image Blender app

I attached the piece to another mandala which peeps through the gaps – I’m not sure about the text and patterned strips they might come out.

more Image Blender stripes

More intuitive collages – Freemix App

I am really enjoying working with the Freemix App but I wish there was a search button on the cutout images because it makes my eyes go funny searching through the database – I shouldn’t complain really because it is free!!!! I am also a bimbo because the images are sorted into different types – I just had it on ‘random’ search 😂😂😂😂

More of my collages using Shelley Klammer’ s prompts – I am getting a bit more sophisticated………

The App allows you to choose backgrounds or import pictures

And then add cutouts which you can layer at will – there are lots of filters and tools – my fingers are a bit fat get the most out of everything on my phone. (I am not getting paid to do any advertising ) but it is a great find

Image blender

I haven’t been making digital images as much recently. I woke up this morning with a series of images in my head that illustrated a poem I have written about playing my viola as a child.

I had a image of playing in an orchestra practice in a school gym

Wind and rain through a window

Violin playing

Very annoyingly I forgot to keep track of what I searched for to find image references – if you know please tag me

http://www.violinist.com/blog/laurie/201512/17240/

And an orchestra of children

I layered these in the Images in the blender App trying to evoke the feeling of my poem:

‘Sitting in a sun lit gym playing harmonies

Whilst violins trill and float above me

My sister sight reads with a fluency

The wind catches leaves, the rain batters the window

Andstill she plays

Strings wound tightly

My beat a necessary layer, holding the ground

So her fingers can dance

Stretched thin by emotion

In time, out of time, in a minor key’

In the Blender App you choose 2 images and then filter them choosing a filter and the % of images on a sliding scale. When you Save you can choose to flatten the image and then layer this image with another – building up translucent overlays.

First go- with an orchestra added

Violin added

I messed about with the colour balance and filters and added the hand with vibrato

Final image cropped to add a more abstract feel