A denim bag panel and reflecting on my boroinspired quilt

Over the last five years I have been art journalling or working on ‘A’ sized paper. I have been working intuitively but thinking in rectangles. When I started sewing I loved the newness of the method and the feel of the material (though my fingers and hands are rebelling at the repetition and the skin on the top of my right thumb is rough and pitted where I clip it with the needles) .

I really enjoyed starting my big quilt. It is a rectangle, but I am struggling with being intuitive on such a large scale.

I sewed a bag panel and then started an A4 sampler. I realised I might kid my self that I work intuitively but I am always assessing the design….

I saw a couple of denim bags on social media and wanted to have a go at a boroinspired panel.

I found a denim bag in a shop sale which was decorated on the top 3rd – some of the design was heavily machine stitched – so I covered that section of the panel with patches and stitching. It needed more.

Boro is the Japanese term for mended cloth with sashiko stitching -I read that it was built up with layers over years. To make cloth stronger and warmer.Maybe working so fast over a couple of days means that the fabrics don’t have time to bed down or build up any sense of history.

Anyway, I didn’t like my panel as it was. When I am art journalling- or working in other pieces I have found my self in the mind set – that if it doesn’t look like it is working, I set it aside for a bit or add another layer…..

I looked back at the bags that I liked on social media – a stripy design appealed. So I added another layer to my panel

This ability to assess a design – look at the balance of texture/ pattern / shape is lost for me on my quilt. I am enjoying working on such a large piece and can see that there will be a huge sense of satisfaction when it’s finished, but the assessing, control freak is not a happy bunny. 😂😂😂