Grey and white boroinspired

I bought some yellow cushions to go on my grey sofa – daughter hates them – so I decided to make some boroinspired covers in grey after a friend gave me an old pair of jeans to work with.

I made the first cover very simply joining the grey panels together with 5 rows of running stitch.

One pair of jeans was not enough fabric to make 2 covers for the size of my cushion pads. I found some more jeans and a couple of grey shirts at thrift stores.

Two layers of jeans is quite hard on my hands to sew through – but I am making the design using patches again so at least my fingers get a break regularly

My design so far

I enjoyed sewing this but had to go much slower than usual because the thickness of the fabric made my hands ache. I finally finished it this week

Stitching, a reflection of my mood

I have been art journaling for self care for about 5 years now. I have become used to how intuitive art can express my unconscious and my emotions. Until a few days ago I didn’t realise how much this would also be reflected in my stitching.

I made a really calming piece last night whilst watching Tom Ford’s film ‘Nocturnal Animals’.

If you haven’t seen it it’s quite dark and violent. When I am drawing mandalas in front of a thriller my shapes get very small and tight.

Looking at the above piece now makes me feel calm- I made four with the same pattern of stitches. Normally I get bored doing the same pattern over 4 patches and need to mix the texture and colour up.

I can’t remember what I was watching when I made this one

But I remember being engaged with the plot and finding it stress full. I think I detached from the Ford film because I had to make my self feel remote and mindful to stay with the film. There was a lot of time spent lingering on Amy Adams face…….

I am working on my 5th quilt at the moment and am making small patches and then attaching them individually in a search for ways not to prick my fingers so regularly. I like working like this, the contained space and with my sense of design being restricted. However, I am also having to have another piece on had when it makes me feel too constricted. At the moment this is an apron with big loose circles.

Quilt number 5 – it taxing my design skills. In the last few quilts I have had an overal idea in mind and I just needed to step back from those every so often to check how my ‘vision’ was coming along.

Number 5 is different. I keep having to think about the balance of colour and texture- I can’t just do 5 patches without placing them next to those already attached and thinking about how I need to do the next 5. I am quite pleased with the results. Though some patches have had to have extra bits attached because they were too plain or I didn’t like one patch next to its neighbor.

This was just blue crosses but it was tooo plain and just jumped out at me……

Number 5 so far

I am laughing at my self – I just did some reading around Fords film – I recognised how beautiful it was and that some of the scenes were amazingly framed – with stunning art in – I hadn’t realised that they were originals …..

https://www.google.co.uk/amp/s/www.vice.com/amp/en_us/article/jpvydk/nocturnal-animals-art-tom-ford-shane-valentino

Adding colour to my boroinspired stitching

I found some variegated coloured crotchet thread in a second hand shop the other week. I had been searching online for a big ball of rainbow coloured thread but it was going to cost far to much to shop it. The box of cotton balls had many more colours than the rainbow I required but I restrained my self to one of each colour and a couple that went in between below is my stash and my first experiment.

I finished my second quilt with some of the coloured threads- it is a present for someone – I will add a pic when they have revived it.

I bought some plain calico shopping bags sometime ago and decided to add a panel of boroinspired stitching to one side.

These have been great fun to do

I found a Great British Sewing Bee note book kit – I have a few of these – they were produced in 2012 to accompany a TV programme – the consist of a nice quality journal – fabric and instructions to make a loose cover for the book.

It had to be done …..

Boroinspired Christmas trees

I saw a lovely hand sewed Christmas decoration on Instagram and I fancied making something similar

I found some fat squares of tartan fabric and decided to use them with my collection of chambray/ blue cotton fabric

A friend gave me a selection of Christmas tree shapes – I drew around one on to the fabric with a biro – I tried using my blue washable fabric marker but, it didn’t show up enough. I used some of my mattress protective cover remnants and some wadding that I was given as padding. I used thin strips of a red based tartan to add contrast to the blue.

I cut the shapes out on double thickness fabric because when I did them individually I found it very difficult to cut them accurately enough. I pinned the fabric together before I cut out the trees.

I cut around the padding using one side of fabric and then pinned the three layers together

I stitched the fabric pieces to the wadding using running stitch in a rainbow thread- then went around the edges with a simple stitch that goes over the three pieces of fabric ( whip stitch?)

I stitched the tartan to the tree on both sides with running stitch

I am having great fun decorating the shapes with white crotchet thread – using my shashiko/ boroinspired stitching and buttons- I have added ribbon to one shape but decided to add the hanging loops after wards to the others.

A friend asked how big the trees were and if the could be worn as a broach. They are 2.5″ tall so a bit too big for me. I decided to have a go at making a smaller version. It was a bit fiddly I followed the above stages for making it – thumb added for scale

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A denim bag panel and reflecting on my boroinspired quilt

Over the last five years I have been art journalling or working on ‘A’ sized paper. I have been working intuitively but thinking in rectangles. When I started sewing I loved the newness of the method and the feel of the material (though my fingers and hands are rebelling at the repetition and the skin on the top of my right thumb is rough and pitted where I clip it with the needles) .

I really enjoyed starting my big quilt. It is a rectangle, but I am struggling with being intuitive on such a large scale.

I sewed a bag panel and then started an A4 sampler. I realised I might kid my self that I work intuitively but I am always assessing the design….

I saw a couple of denim bags on social media and wanted to have a go at a boroinspired panel.

I found a denim bag in a shop sale which was decorated on the top 3rd – some of the design was heavily machine stitched – so I covered that section of the panel with patches and stitching. It needed more.

Boro is the Japanese term for mended cloth with sashiko stitching -I read that it was built up with layers over years. To make cloth stronger and warmer.Maybe working so fast over a couple of days means that the fabrics don’t have time to bed down or build up any sense of history.

Anyway, I didn’t like my panel as it was. When I am art journalling- or working in other pieces I have found my self in the mind set – that if it doesn’t look like it is working, I set it aside for a bit or add another layer…..

I looked back at the bags that I liked on social media – a stripy design appealed. So I added another layer to my panel

This ability to assess a design – look at the balance of texture/ pattern / shape is lost for me on my quilt. I am enjoying working on such a large piece and can see that there will be a huge sense of satisfaction when it’s finished, but the assessing, control freak is not a happy bunny. πŸ˜‚πŸ˜‚πŸ˜‚

Boroinspired quilting

I have always wanted to have a go at making a quilt. I was given a small blue one when the children were small that I always loved.

I have never been able to imagine cutting out the fabric neatly with 90 degree corners and straight lines. Doing some research around my teabag quilts after some one said they looked a bit like sashiko- I discovered the fabulous world of Japanese stitching and boro inspired patching.

There are lots of sources on Pinterest and blogs about the history of /methods online

https://www.architecturaldigest.com/gallery/an-experts-favorite-japanese-textiles#9

Above is an early 19th Century bed cover.

Back to my quilt. I was offered a bag of fabric scraps by a friend if mine. I decided to have a go at making a quilt using an old single duvet as a base.

As a child I remember saying when I grow up I am never going to darn socks – after watching my mother sew little hard circles of stitches into jumpers and socks. So I am amused that the technique mum taught me is now being used to top stitch a whole quilt!!!

My aversion to the effort required to cut neat shapes means that the design will be quite organic and the top stitching will hide a multitude of sins ….

I had a bright cotton skirt that was too busy. It would make a good choice to base all my other fabric colour choices on.

I started at the edges because I thought the hem of the skirt would add strength to the final piece.

I practiced boroinspired stitching on some of the pieces

Then started adding my friends fabric scraps. She has some experience with quilting so a lot of the pieces were cut into rectangles or squares ….

I wasn’t really sure about the yellow but it does lift the blue.

I have been a bit obsessive and made my hands and back ache. So I decided to stop pinning new fabric and sewing it onto the base and concentrate on a bit of top stitching.

Jon and I are enjoying this because me adding fabric pieces is very very messy πŸ˜‚with needles pins, fabric and thread all over the kitchen.

This is as far as I have got with my design. I am thinking of just adding blue pieces to the middle bit in a nod to the Japanese

history. I am using second hand pieces of fabric or clothes in an attempt to be frugal.