Grey and white boroinspired

I bought some yellow cushions to go on my grey sofa – daughter hates them – so I decided to make some boroinspired covers in grey after a friend gave me an old pair of jeans to work with.

I made the first cover very simply joining the grey panels together with 5 rows of running stitch.

One pair of jeans was not enough fabric to make 2 covers for the size of my cushion pads. I found some more jeans and a couple of grey shirts at thrift stores.

Two layers of jeans is quite hard on my hands to sew through – but I am making the design using patches again so at least my fingers get a break regularly

My design so far

I enjoyed sewing this but had to go much slower than usual because the thickness of the fabric made my hands ache. I finally finished it this week

Stitching, a reflection of my mood

I have been art journaling for self care for about 5 years now. I have become used to how intuitive art can express my unconscious and my emotions. Until a few days ago I didn’t realise how much this would also be reflected in my stitching.

I made a really calming piece last night whilst watching Tom Ford’s film ‘Nocturnal Animals’.

If you haven’t seen it it’s quite dark and violent. When I am drawing mandalas in front of a thriller my shapes get very small and tight.

Looking at the above piece now makes me feel calm- I made four with the same pattern of stitches. Normally I get bored doing the same pattern over 4 patches and need to mix the texture and colour up.

I can’t remember what I was watching when I made this one

But I remember being engaged with the plot and finding it stress full. I think I detached from the Ford film because I had to make my self feel remote and mindful to stay with the film. There was a lot of time spent lingering on Amy Adams face…….

I am working on my 5th quilt at the moment and am making small patches and then attaching them individually in a search for ways not to prick my fingers so regularly. I like working like this, the contained space and with my sense of design being restricted. However, I am also having to have another piece on had when it makes me feel too constricted. At the moment this is an apron with big loose circles.

Quilt number 5 – it taxing my design skills. In the last few quilts I have had an overal idea in mind and I just needed to step back from those every so often to check how my ‘vision’ was coming along.

Number 5 is different. I keep having to think about the balance of colour and texture- I can’t just do 5 patches without placing them next to those already attached and thinking about how I need to do the next 5. I am quite pleased with the results. Though some patches have had to have extra bits attached because they were too plain or I didn’t like one patch next to its neighbor.

This was just blue crosses but it was tooo plain and just jumped out at me……

Number 5 so far

I am laughing at my self – I just did some reading around Fords film – I recognised how beautiful it was and that some of the scenes were amazingly framed – with stunning art in – I hadn’t realised that they were originals …..

https://www.google.co.uk/amp/s/www.vice.com/amp/en_us/article/jpvydk/nocturnal-animals-art-tom-ford-shane-valentino

Art journalling and tea bag quilts

I have been enjoying experimenting with my teabag quilts. However, I fancied doing something a bit different. I made a collaborative quilt with Fran Halperin – she added text and pattern to my design and then I stitched a circle over it in white. I was really pleased with how it worked out.

I decided to have a go at using a quilt as the base for an art journal page. I do these usually on paper and build up lots of layers using mandalas/ printing and adding text.

On holiday in France a made a tea bag quilt that wasn’t doing anything for me, so I used that as a base

And I made a simple 3×3 teabag base.

I am afraid I forgot to take a few photos – blame it on the fact that I was away for two weeks and got over excited on the making front

I started by making a background using pen and paint stencilled through a couple of mandala stencils. I glued the lettering in place with Matt medium. Then added my white back stitched circles

I didn’t like the text it seemed too simple – so I added more – just stitching on top this time. I added a pale orange set of circles in between the white and drew on top of it with pen and gelatoes.

This morning when I got up it seemed too simple . So I attached the lettering

I attacked the other quilt which went through a similar process too

Details of the quilts – I chose the text flipping though a Psychologies magazine with soft eyes and picking out words that jumped out at me

This weeks materials Рpens , acrylic and tea 

I have been playing with materials lately – particularly pens and pencils working out what works layering on top of things – I thought I had a lot of ‘stuff’ before …….

This moments ‘weapons of choice’ (it’s worrying me that I used a violent metaphor to describe my drawing equipment – I think it’s one of the things a parent must have said when I was growing up …..) 


Anyway from left to right 

A selection of permanent markers – for some reason cheap pens work better over layers of water resistant / plastic based stuff and my thin sharpie is much more forgiving than a thick one ….. 

I try and buy pens when they are on sale,or on offer and I am trying out fountain pens and things that can refill so that I cut down on my plastic recycling. 

Back to my list 

Signo pigment ink in bronze – because of the contrast this colour has with the turquoise / teal/ blue palette I am working with at the moment. 

Uniball eye permanent ink and water soluble – in turquoise and green – I like to mix up water soluble and permanent when tea dipping so that you get colours running.

Posca 3mm bullet pen in blue – I love these type of pens when they work but I do not like the flooding ….. 

Cheap Childs felt pen in blue – soluble ink 

Uni chalk marker light blue 1.5-2.5 bullet  – this is nice for highlights 

Pentel wet eraser chisel – contrasting shape to above 

Paint brush with resovoir – I haven’t tried this with waterproof ink yet – it’s an ink guzzler but fun l. 

Cheap Korean gelato – lovely – semi permanent effects 

White Stabillo pencil for glass , metal , paper and plastic  – it says it’s water proof but it’s not. 

Faber Castro Polychromos in Cobalt green permanent. 

Cheap biro – my favourite mixed media implement at the moment 

Distress Marker bought in the sale at Hobby Craft – with a damaged tip – I love the brush end – I wish it was permanent 

The type of thing I have been using them on 

This one is teadipped and has clear gesso drawn on in spirals at some stage …. 


This one uses biro, acrylic , powdered pigment , and several of the above swirled through before and after tea dipping. I say several because looking at the image I can’t remember what exactly ( lol) 


If I use termeric in the tea dipping – I get a nice dark colour but it leaves a residue that needs to be sealed before I can work on top , or it tends to ruin pens – which is not cost affective 


I have found a PVA at the local DIY shop that seems to work when applied with a credit card and it just adds a sheen to the paper. 

The above image was made using :

1)  a fabric diolly print in acrylic

2)  drawn swirls with distress pen , and chalk 

marker 

3) tea dipped 

4) PVA 

5) printed on with acrylic through a stencil 

6) doodle flower in permanent marker 

7) biro grid 

I have found if I cheat with the tea and add a squirt of  brown acrylic I can deepen the tones. However, I prefer the effect that you get when you dip the paper several times- printer paper is particularly nice but is very fragile.

Below shows three pieces with different shades of brown – the top one has been dipped once the back one 3 times