Tea bag sampler

I decided that I needed a few projects on the go whilst I am making my quilt. I can’t really put it in a bag and take it to a coffee shop.

Over the last few weeks I hadn’t been using my teabags.

I made up an A4 quilt and backed it with old felted wool. I have been searching for various blue hues threads. Cotton crochet thread works very well for sashiko stitching. However blue crochet thread is not easy to find off line. Coats do a nice range of colours in a heavy weight cotton thread in their Duet range.

Trisadalia do an electric blue, Anchor a French navy and Gutermann a good navy blue ( just in case you are interested )

I started exploring different stitches – but got bored

So I began layering with more teabags and text – printed onto a teabag print.

In the last post I talked about enjoying working on a small scale ( rather than my quilt) it’s particularly good for working in circles.

I also enjoying disrupting the stitches by layering and ripping off bits of teabag to reveal the blue underneath

The text I am adding is the list of hashtags I use when I post this type of work on Instagram

#sashiko #borostitch #wabisabi #slowstitching #meditate #patchwork #mindfulness #creative #thelittlethings sashikostitching #boroinspired #handsewn #embrioderyart #handquilting#contemporaryembroidery #makersmovement #stichersofinstagram #visiblemending

I have discovered that being more selective and adding a lot of hashtags has improved my interaction with other Instagram users …..

I thought you might like to see the back

A denim bag panel and reflecting on my boroinspired quilt

Over the last five years I have been art journalling or working on ‘A’ sized paper. I have been working intuitively but thinking in rectangles. When I started sewing I loved the newness of the method and the feel of the material (though my fingers and hands are rebelling at the repetition and the skin on the top of my right thumb is rough and pitted where I clip it with the needles) .

I really enjoyed starting my big quilt. It is a rectangle, but I am struggling with being intuitive on such a large scale.

I sewed a bag panel and then started an A4 sampler. I realised I might kid my self that I work intuitively but I am always assessing the design….

I saw a couple of denim bags on social media and wanted to have a go at a boroinspired panel.

I found a denim bag in a shop sale which was decorated on the top 3rd – some of the design was heavily machine stitched – so I covered that section of the panel with patches and stitching. It needed more.

Boro is the Japanese term for mended cloth with sashiko stitching -I read that it was built up with layers over years. To make cloth stronger and warmer.Maybe working so fast over a couple of days means that the fabrics don’t have time to bed down or build up any sense of history.

Anyway, I didn’t like my panel as it was. When I am art journalling- or working in other pieces I have found my self in the mind set – that if it doesn’t look like it is working, I set it aside for a bit or add another layer…..

I looked back at the bags that I liked on social media – a stripy design appealed. So I added another layer to my panel

This ability to assess a design – look at the balance of texture/ pattern / shape is lost for me on my quilt. I am enjoying working on such a large piece and can see that there will be a huge sense of satisfaction when it’s finished, but the assessing, control freak is not a happy bunny. πŸ˜‚πŸ˜‚πŸ˜‚

Boroinspired quilting

I have always wanted to have a go at making a quilt. I was given a small blue one when the children were small that I always loved.

I have never been able to imagine cutting out the fabric neatly with 90 degree corners and straight lines. Doing some research around my teabag quilts after some one said they looked a bit like sashiko- I discovered the fabulous world of Japanese stitching and boro inspired patching.

There are lots of sources on Pinterest and blogs about the history of /methods online

https://www.architecturaldigest.com/gallery/an-experts-favorite-japanese-textiles#9

Above is an early 19th Century bed cover.

Back to my quilt. I was offered a bag of fabric scraps by a friend if mine. I decided to have a go at making a quilt using an old single duvet as a base.

As a child I remember saying when I grow up I am never going to darn socks – after watching my mother sew little hard circles of stitches into jumpers and socks. So I am amused that the technique mum taught me is now being used to top stitch a whole quilt!!!

My aversion to the effort required to cut neat shapes means that the design will be quite organic and the top stitching will hide a multitude of sins ….

I had a bright cotton skirt that was too busy. It would make a good choice to base all my other fabric colour choices on.

I started at the edges because I thought the hem of the skirt would add strength to the final piece.

I practiced boroinspired stitching on some of the pieces

Then started adding my friends fabric scraps. She has some experience with quilting so a lot of the pieces were cut into rectangles or squares ….

I wasn’t really sure about the yellow but it does lift the blue.

I have been a bit obsessive and made my hands and back ache. So I decided to stop pinning new fabric and sewing it onto the base and concentrate on a bit of top stitching.

Jon and I are enjoying this because me adding fabric pieces is very very messy πŸ˜‚with needles pins, fabric and thread all over the kitchen.

This is as far as I have got with my design. I am thinking of just adding blue pieces to the middle bit in a nod to the Japanese

history. I am using second hand pieces of fabric or clothes in an attempt to be frugal.