Art journalling and tea bag quilts

I have been enjoying experimenting with my teabag quilts. However, I fancied doing something a bit different. I made a collaborative quilt with Fran Halperin – she added text and pattern to my design and then I stitched a circle over it in white. I was really pleased with how it worked out.

I decided to have a go at using a quilt as the base for an art journal page. I do these usually on paper and build up lots of layers using mandalas/ printing and adding text.

On holiday in France a made a tea bag quilt that wasn’t doing anything for me, so I used that as a base

And I made a simple 3×3 teabag base.

I am afraid I forgot to take a few photos – blame it on the fact that I was away for two weeks and got over excited on the making front

I started by making a background using pen and paint stencilled through a couple of mandala stencils. I glued the lettering in place with Matt medium. Then added my white back stitched circles

I didn’t like the text it seemed too simple – so I added more – just stitching on top this time. I added a pale orange set of circles in between the white and drew on top of it with pen and gelatoes.

This morning when I got up it seemed too simple . So I attached the lettering

I attacked the other quilt which went through a similar process too

Details of the quilts – I chose the text flipping though a Psychologies magazine with soft eyes and picking out words that jumped out at me

Experimenting with different thread/ teabag quilt

I have had a sewing box for ever. This is the first time I can remember running out of white thread.

I had a go at embroidering a mandala with the same thread that I used for my most recent quilt ( see my last post). I sewed using cheap white thread that I had had for years. I was disappointed with the results. So I overworked the stitches and added some thicker cotton/ wool

I saw some multicoloured thread on a friend’s Instagram feed and thought it would be fun on teabags. I went on a shopping trip and found some fab colour ways made by Guttermann.

I also bought a heavy duty white thread and a large multi use 100% polyester white. The multicoloured reals are 100% cotton.

I love the results

I think the orange will be great as the cotton to sew the tea bags on to my substrate. The darker/ rainbow mix shows up the best. However I like combination of the three colours.

The stronger thread shows up against the tea bags very well

I decided to make my – mandala into a sample piece. I added the paper fabric as an edging

I am getting better at making my work more regular (πŸ˜‚πŸ˜‚πŸ˜‚)

New teabag quilt

I decided to try a new method of sewing with teabags. I used running stitch to attach 56 teabags to a pillow case protector that I picked up second hand. It is a nice weight of fabric with a bit of padding.

My adopted Granny was from County Durham. When I was younger I remember we had a quilt that she made- that looked a bit like this

I don’t remember Grannies being as complicated as those above but I remember loving it- how it felt and the patterns. I wanted it to be mine. ( picture from Pinterest )

I am quite pleased with how my design is developing- I wanted to stick with working in circles – following on from my mandalas ( the next one will have a more Durham themed pattern)

The fabric and padding that I am using isn’t quite thick enough to get the Durham effect. Though I like the feel of my piece, and the contrast of the white thread on the tea colour.

I decided to add some straight lines to join the pattern together – it feels more coherent. I need to photograph it in daylight

The spaces between my lines need to be more consistent- though I like the fact that it still looks like teabags. Some of my other work lost the individual bag feel.

When I was working I tried 3 ways of sewing the bags edges- I pinned the teabags next to each other- but they moved sometimes during the process. Depending how quickly they dried out – made some of the edges crisp and fragile

Crispy joints

Hidden joints

Darned

I think I like them left as they are – with the white fabric showing as contrast. I am going to finish the back stitching- edge the piece and may be back it. I will add a finished pictures

I backed my quilt with a favourite old pillow case and edged it with colour run absorbent sheets that go in the washing machine.

Living by and working with ideas around water

During my life I have lived by water. I am fascinated by how the light plays on the surface, the movement and the patterns that are created.

I grew up near the Thames at Wallingford and as a child we used to visit Abingdon where I ended up living for 25 yrs. During uni a I was in London and up in the North East at Newcastle upon Tyne. I suppose living on a small island you are never very far away from water…

Now in Edinburgh there is the water of Leith that winds its way through the city. I travel over the the Forth of Firth regularly for work and visit the North Sea at North Berwick.

Recently in Bristol I was interested to see that architects had incorporated elements of water into a foot bridge in the quay area and some railings on Temple St.

My latest ripping/ hand sewing into a mandala/ blue abstract on paper is reminding me of water this morning

I wrote into it today about mandalas, their cultural significance, how to draw them and their meditative values with Hindu and Buddhism.

I started weaving in some text from yesterday’s writing about art making

And watery concepts popped into my head. I have been making lots of layers using digital imagery this month so I needed to attack this in the Image Blender app

I attached the piece to another mandala which peeps through the gaps – I’m not sure about the text and patterned strips they might come out.

more Image Blender stripes

β€˜Home sweet home’ teabag quilt

I have been enjoying hand sewing very much recently, so I decided to make another tea bag quilt. A few people have asked how I made my first one so I thought I would do a step by step. My friend Fran Halperin and I have been experimenting with joining techniques. Fran has been using her sewing machine.

On the left zigzag stitch, on the right she has straight line stitched along the edge of the teabag and then jumped over the gaps.

On the left I used blanket stitch on the right for my new quilt – I back stitched the tea bag onto material. NB try and use something with very little ‘give’ – I used an old linen nappy and it’s very difficult to sew neatly on top of.

I decided to make my ‘ Home sweet home’ quilt have a more quilt like feel- the last one was a bit abstract. I printed some tea bags blue/ purple and others pale blue/ white. With my doors and window hand carved stamps .

The tea bags were a bit higgledy piggildy on the linen so I decided to add some strips of kitchen towel ( dyed with tea during the drying of teabags process) with writing on between the rows and buttons at corners. This stitching held on the back piece which is a white tea towel

I am edging the quilt with a sheet of used colour run paper/ fabric that goes in the washing machine. It needed 3 rows of running stitch to keep it flat. I used white sewing cotton throughout. I think I will print over this again when it’s stitched all around

Nearly finished. It needs a few more buttons and I haven’t stitched the edging all the way round but you get the idea.

I wanted this quilt to be a bit more obvious that it was teabags. I haven’t used any glue on the joints so that it feels much more like fabric

I think I need to do a bigger one ……

New Moon Meditation illustration ( attempts)

We are staying at the Omassim Guest house in Portugal again. It’s a surf and yoga retreat on the Atlantic coast near Ericeira. We visited last year too. The day is divided into food, yoga / surfing. In the evening there is a Yin yoga session and a meditation – which I have been doing to the best of my ability with a twanged ligament in my right knee.

Omassim has lots of fab Buddha statues …..

Last night was a new moon and the yoga/ med teacher Bella did a fab meditation which ended with us all lying in a circle, thinking about light coming down from the moon into the top of our heads and lighting up our bodies.

The weather has been a bit miserable this year and I haven’t felt like making art. After the meditation I had a picture in my head of what I could do in response to the session. I only have limited art supplies so it will be a challenge.

My first go is too dark and I didn’t leave enough lightness around the moon. I also over sprayed the image with water .

I wanted to use a moon that was similar to one I remembered as a child. I found something on Pinterest

I liked the way this one showed a bit of the dark side too.

Above is my first layer. The figures look as if they are robots from a Sci-fi movie attached to a central flower/ moon – the circles on the bodies are supposed chakras with lines of energy swirling around.

I used this image as research http://michellespalding.com/following-your-souls-calling/body-filled-with-lifht-depositphotos_9140952_original/

I made three figures, a male, a thin female and a chunky female one to represent the mixed shapes of those present. I made little stencils so that I don’t have to draw them from scratch every-time. ( I might have to do a few more copies before I get it right)

In my rough – it looks a bit like a dissolving mummy (πŸ˜‚πŸ˜‚πŸ˜‚) but I quite like the effect

I sprayed the first layer with water, because it’s what I am into at the moment. Hopefully it won’t all disappear . It’s got to dry over night, so we shall see. I like the way the water disrupts the lines and adds interest – the figures are still a bit robot like and don’t really fit in with the cartoon moon…….

Sometimes things just go wrong ……

I decided to go over the design in turquoise rather than black. When I started to draw the mandala design again it didn’t really show up. So I got my child’s brush pen out

Not really liking it so I sprayed it and then ran it under a tap ……

I took a print- before I washed it and smudged the moon

I quite like the print

Loosing all the details on the 2nd attempt in the process ……

I think the paper is too over worked by the pen ………

I like the effects but will need to work on these two back home with acrylic paint πŸ˜‚πŸ˜‚πŸ˜‚

What have I learnt?

Fountain pens seem to damage the surface of the paper ( trying out fountain pens in an attempt to be more environmentally friendly )

Turquoise over turquoise fountain pen is not going to work if there is too much detail in the first layer

Cartoon moons and robot figures are a bit dogey

Child’s brush pens are fine if you just stick to brush pens – the colour doesn’t really go with Lamy ink

Brush pens make fab prints if you spray them

Pencil lines with cheap Argos pencil are hard to rub out

Should have brought water soluble pencil crayon

I like making mess and taking risks with my art in guest house rooms because there is – a danger that you get blue ink everywhere (πŸ˜‚πŸ˜‚πŸ˜‚) luckily everything is water soluble

Preparing a found book for art journalling

I like to use second hand books for journalling. There is a comic book range in Scotland called ‘the Broon’s’. They produce cook books and gardening books( Waverley Books) that look like old journals and are a nice weight of paper and size for art journalling.

The paper is a bit smooth so I like to prepare a few pages before I start journalling

Today I added gesso to a page with a credit card and then dabbed acrylic paint through a commercial stencil. By adding the paint first it means that you can rub the paint off the page with a baby wipe or damp cloth to get a more interesting result

I like commercially produced stencils but they can look a bit samey when lots of people use them.

So I use doilies that I find in second hand shops. Lace or crochet work well. If you do use them – make sure you dry them well in-between use or they rot and smell bad .

I covered the print below with a layer of watered down paint.

I always use acrylic for mixed media journalling because I make lots of layers that I don’t want to run into each other. I am dyslexic and have trouble with upside down and the wrong way round – I added the cover design on the back of the book so all the pages are upside down …….

I always try and make paint go as far as possible so I spread what was left of the blue onto some pages with a credit card and through another stencil.

The pages of the book are such fun I don’t often add a lot more before journalling.

The cover of the book is quite shiny so I scored it with a scalpel blade before I decoupaged it.

I used a selection of different papers – the back is upside down tooo. And then added details, texture and random text from magazines